The Adjustment Bureau is acted well enough that you almost take the skills of the cast for granted. Movies like these don’t usually win awards, but a bad cast would have turned the plot into a mess.

The Adjustment Bureau is directed by first-time director George Nolfi, who is best known as a screenwriter who wrote the screenplays for Timeline, Ocean's Twelve, The Sentinel, and The Bourne ...

The Adjustment Bureau is a beautifully filmed movie that asks viewers to suspend logic for a moment to consider bigger themes of humanity. The movie begins as a political thriller that morphs into ...

The Adjustment Bureau is a fun and engaging thriller but one mostly lacking in any real substance or complexity and apart from the minor amusement to be had in seeing people in hats immediately ...

Win! The themes of The Adjustment Bureau are twofold. The most prominent is the idea there's a master plan in place, controlled by a higher power, who sends agents to shape and mold reality as needed.

But after raising intriguing philosophical questions about determinism, “The Adjustment Bureau” gives into the saddest, softest fate of all. David and Elise — and we as viewers — deserve more.

"The Adjustment Bureau" is a handy example of how good ideas and good actors can be put in the vicinity of one another and still end up with a movie that doesn't quite work. It's a movie about ...

The Adjustment Bureau plays with all these ideas, and the indeterminacy of its approach, which some might find indecisive or woolly-minded, seems to me the secret of the film’s success.

Very loosely based on a 1954 Philip K. Dick short story entitled Adjustment Team, The Adjustment Bureau stars Damon as David Norris, a Congressional candidate from Brooklyn who meets Elise (Blunt), a ...

The Adjustment Bureau GRADE: B- Phillip K. Dick was a lot of things, but few would call him a sentimentalist.