This is the brief and unexpected opening of Celine Song’s Materialists, a prologue that announces a certain loftiness in the film’s premise. Or in spite of it, as a sudden cut flings us into the classic opener of many a millennial rom-com: the cosmopolitan heroine at her vanity,

By this metric alone, Celine Song’s “Materialists” is something else entirely. Song’s characters tell us bluntly what their salary is, or how much their apartment costs. Economic reality, in fact, drives the narrative.

The writer-director breaks down that ending: "When there is an offer of true love, all you can do is accept it.”